November 2006

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Evans - R.S.Thomas

Evans? Yes, many a time
I came down his bare flight
Of stairs into the gaunt kitchen
With its wood fire, where crickets sang
Accompaniment to the black kettle”s
Whine, and so into the cold
Dark to smother in the thick tide
Of night that drifted about the walls
Of his stark farm on the hill ridge.

It was not the dark filling my eyes
And mouth appalled me; not even the drip
Of rain like blood from the one tree
Weather-tortured. It was the dark
Silting the veins of that sick man
I left stranded upon the vast
And lonely shore of his bleak bed.

Is our hero the Goldie Looking Chain of Christendom?

Laugh?  You will!       (probably)

Click the picture to watch.

ilikebigbibles.jpg

Some of you will know the Marc Cohn song ‘Walking in Memphis’ (don’t even mention that hideous Cher cover version of it!!!). Chavlin will know it as a karaoke favourite. I love the song, and also the sense that I think is in there of religious experience being potentially conversional.

“Now Muriel plays piano
Every Friday at the Hollywood
And they brought me down to see her
And they asked me if I would –
Do a little number
And I sang with all my might
And she said –
“Tell me are you a Christian child?”
And I said “Ma’am I am tonight”

Then this morning I heard on BBC Radio 3 some exquisite choral music from a new CD by John Eliot Gardiner and the Monteverdicover12b.gif Choir (find it here) or listen to a bit here and was mesmerised by the sense of ‘conviction’ (as the announcer put it afterwards) in the singing. (It isn’t the first time I’ve heard that quality in a recording – Trevor Pinnock’s Messiah seems to have it too.) So I got to wondering, is this guy a Christian? After a little googling, I found someone else had asked the question, with a fascinating response.

The Guardian asked, “Is Gardiner himself a Christian? to which Eliot Gardiner replied:

“At the moment I perform the music I am a Christian, yes. Culturally, yes. Doctrinally and theologically, no. I can’t put it better than that… I have to subscribe at the moment of performing, even preparing. And I’m acutely aware there’s another realm of existence out there. But do I subscribe to the whole catechism? No, of course I don’t. I can’t.”

Avoiding for now the What is a catechism?, or What does it cover? questions, are we looking at a faith plug-in - could there be such an option for arts’ sake? John Eliot Gardiner he seems to believe he can plug in to believing for the purpose of the recording. Incidentally, Eliot Gardiner’s record label is called SDG, short for “Soli Deo Gloriaâ€? (for God’s glory alone), which J.S.Bach put at the end of each of his manuscripts.

Chavlin led me on to this with asking about worship and experience. I guess John Eliot Gardiner, Marc Cohn and many other musicians are on an interesting journey with this. For Gardiner, it may continue to be his pilgrimage.

What thinkest thou, good folk?

When I lead children’s services, it needs a bit of thinking to get stuff into language they have a chance of understanding. See what you think of this attempt (from a service called ‘Scary Monsters’ about courage in God vs bullying.

Psalm 27 (a God poem):

The Lord is my light and helper, so who am I scared of?
The Lord is my life’s castle -who should I be afraid of?
When bad people come trying to hurt my body or attack me, they will trip and fall over. Even if an army came, and started a war, my heart will be brave and I will trust. One thing I ask God, this is it, that all through my life I can come to find him and tell him I love him. When my day has troubles, I am at home with him, and he looks after me. I can hold my head up even if people around me are nasty. So I come and shout and give God a song to tell him how happy I am. Lord, hear my voice when I pray; I know you care so please answer me. My heart tells me to look for you, so that’s what I will do. Don’t hide or be angry with me, you are my helper, so stick with me. God, even if my Mum or Dad gave up on me, you wouldn’t. Teach me the best way to go with my life, not the way bullies go. I don’t want them to have their way, even if they tell lies about me or say they’re going to fight. I am still sure of this: In my life I will find out you have good things in store, God. So I’ll tell myself, wait for him – be strong and brave, and wait for God.

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I love this phrase. I came across it last week flicking through an anthology of British and American Poetry and it made me think:

The Ball Poem

 

aw_red_ball_v1_bz.jpgBy John Berryman

 

What is the boy now, who has lost his ball,

What, what is he to do? I saw it go

Merrily bouncing, down the street, and then

Merrily over—there it is in the water!

No use to say ‘O there are other balls’:

An ultimate shaking grief fixes the boy

As he stands rigid, trembling, staring down

All his young days into the harbour where

His ball went. I would not intrude on him,

A dime, another ball, is worthless. Now

He senses first responsibility

In a world of possessions. People will take balls,

Balls will be lost always, little boy,

And no one buys a ball back. Money is external.

He is learning, well behind his desperate eyes,

The epistemology of loss, how to stand up

Knowing what every man must one day know

And most know many days, how to stand up

And gradually light returns to the street

A whistle blows, the ball is out of sight,

Soon part of me will explore the deep and dark

Floor of the harbour . . .I am everywhere,

I suffer and move, my mind and my heart move

With all that move me, under the water

Or whistling, I am not a little boy.

In this week when I’ve led services for Remembrance, (hence the poppies above), I’ve been struck by how we each understand loss. From a boy losing a ball, through to the loss of thousands upon thousands of lives in Flander’s fields we come to a personal knowledge of loss only by experiencing it, although even when we experience it we may not fully understand it. I found leading a service commemorating deaths in combat, not least those 60-80 years ago, a difficult task. I’ve never been to war, I’ve never held a gun and I’ve never known the loss of freedom or its threat. But something in my own ‘epistemology of loss’ (knowledge of what loss is/means/etc) tells me that it is important to try to understand. In Berryman’s poem the boy engages with loss at his level, and it is tough for him “to stand up�. But we are enriched by knowing he has wrestled with the loss and moved forward. For the war veterans, the survivors and those like them, is the hardest thing when it seems impossible to move forward but still having to live with the acute hollow absence? A little knowledge like theirs may be a dangerous and dreadful (but very valuable) thing.

See:

Look here for more on the poem

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